Twitter Updates

 

29 November 2008

hard to shake the literal

Thinking of the Raven...although there are metaphors spread all over it, it is hard to shake the literal theme that weaves its way through the story.  How to separate the story from a literal lost Lenore.  I'm not sure it can be done...unless Lenore represents a temptation...a vice, alcohol, drugs, moblife, homicidal ideations, etc.  I think if this is the route we take we can go far with it...but will it work...I'm not sure. 
Maybe we take the tack of changing environment and time.  Maybe 1st person is now homeless...living in a box...in the city and this is the setting.  With flashes back to his lost Lenore; at a time when they are together.   Maybe this is a time that contrasts the time living in excess...are they lawyers in suites...trying to clothes a deal by defrauding customers, or are they lovers with true beneficence.  Or is the 1st person thinking back to the scene of a crime...they were living the life and he murders her for reasons known or unknown and is now living a life of guilt and regret that can not be undone.  

At first I was trying to think of ways to make the entire poem metaphorical for something other than the literal words...but I think that would not do justice to the poem as a whole.  After reading it as a whole many times and listening to a reading (I will forward a reading by Christopher Walken) I feel that we should stick with the theme and change settings and situations.  I'll continue to explore and start working on details tonight.  

As for the meeting tonight...I realized Friday that I would have time to work on Spectre material tonight(Saturday) and thought I would try to pull a meeting together.  I sent out an invitation without expectation.  Just thought I would mention it.  Next time I will not announce as a Spectre Meeting Session as this may imply that it is more formal than I was expecting.  I will save this type of request for scheduled meetings with ample notification. 
Sorry for the miscommunication.
-contraqu

Ravenous. Tales from the cold.

Well, 

We may have a serious problem. The recordings for Raven were not backed up.  I have one more location to check.  That is, a mac expert may be able to recover my old HD but it's not looking good. 

This is a graven report of a loss that all human creatures with an understanding of allegory, or the subtlety of magnificence; will continue to remorse. In attempt to describe the sheer madness of Mr. Jake J. is something harkening to 19th century coldness and stoic visionary.  Read the post below, this time with the voice designed for it's delivery and so emotionally punctual. See with eerie timelessness? I still hope we can recussitate Poe in these modern times.  I will update you on the final Verdict next week when we will ask to see if this might be still extant from the mac expert. Herr Muth. (pronounced-Mood)  

Now that I have the calendar, please update meeting times minimum 24 hrs in advance.  So if you call a meeting for 2230 do so in a manner leading to this next meeting 11-29-08. 




 

22 November 2008

The Raven by Edgar Allan Poe

I STANZA
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door -
Only this, and nothing more."

II
STANZA
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels name Lenore -
Nameless here for evermore.

III
STANZA
And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more."

IV
STANZA
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"- here I opened wide the door; -
Darkness there, and nothing more.

V
STANZA
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" -
Merely this, and nothing more.

VI
STANZA
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more."

VII
STANZA
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

VIII
STANZA
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."

IX
STANZA
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door -
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."

X
STANZA
But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered -
Till I scarcely more than muttered, "other friends have flown before -
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."

XI
STANZA
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his Hope that melancholy burden bore
Of 'Never - nevermore'."

XII
STANZA
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."

XIII
STANZA
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!

XIV
STANZA
Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee - by these angels he hath sent thee
Respite - respite and nepenthe, from thy memories of Lenore:
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."

XV
STANZA
"Prophet!" said I, "thing of evil! - prophet still, if bird or devil! -
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
On this home by horror haunted- tell me truly, I implore -
Is there - is there balm in Gilead? - tell me - tell me, I implore!"
Quoth the Raven, "Nevermore."

XVI
STANZA
"Prophet!" said I, "thing of evil - prophet still, if bird or devil!
By that Heaven that bends above us - by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore -
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."

XVII
STANZA
"Be that word our sign in parting, bird or fiend," I shrieked, upstarting -
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven, "Nevermore."

XVIII
STANZA
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!

15 November 2008

Perched and Nameless Nevermore

Last night Contra and I met online, and put the finishing touches on the new site layout, finalized all the Web2.0 features about 2 years after they became available. Slow to adopt but fast to utilize. We had a sort of a breaktrhough on the Raven Project. In terms of next steps the next Spectre meeting we plan on starting on the layout and organization of the script, not exactly a rough draft or outline but more like starting a loose story board. Contra is still working out the details and we got the callendar up and running as well, so we should be able to sync schedules fairly soon.

On a side note after the meeting I had a few ideas,

i) was thing for the perched line, still is sitting never flitting. That the main character can be perched on a park bench, or at the foot of a public statue or something along those lines.

ii) perhaps for the nameless theme i could be the common man in the modern society just existing as iteration or account in somebodies database or client list, or the social security office, or dmv, or the bank, a bunch of accounts numbers, play off the duality of relationships as well and not being able to recover, so the accounts are metaphor to all the facets of relationships, while the nameless part and un-able to forget are part of the pain of relationships and the anonymity of solitude

iii) i feel like the main character should be predictable in the sense of appearance, and needs to be dressed in black, eye-shadow, very goth, at least in appearance, not sure about it yet, we cannot take every theme and reverse it but we shouldn't be predictable either. still trying to figure this out.


06 November 2008

Spectre 2009 Kickoff

Spectre back at it again. Setting the tone for 2009. Brief and simple we are setting the groundwork for a March meeting to shoot some video and connect on some sound overlay. We set to invade Portland for 3 days time. Stay tuned. Next meeting Friday Nov.7.2008

Subscribe to Blog Updates

Enter your email address:

Delivered by FeedBurner